The 1960s represent a turning point in popular awareness about environmental problems. The modern environmental movement that emerged in the mid-1960s and early ‘70s focused on a new set of concerns such as air pollution, water pollution, and pesticides. More federal environmental bills were signed in the 1960s and early 1970s than at any other period in U.S. history.
In the early twentieth century, American nursing leaders came to see the motion picture as a quintessentially modern instrument of education, training, and recruitment. In their view, movies were a powerful tool to transform public opinion, to instruct new recruits in the mysteries of nursing practice, and to keep the qualified nurse abreast of new developments in the field.
The archival record is mostly silent on the origins of this short film produced and narrated by Frank Armitage, a medical illustrator who also worked as a Disney animator and mural artist, and whose work demonstrates the rare beauty of medical art. By tracing Armitage’s career, we can contextualize and elucidate Anatomical Animation.
“Fall, 1972. Scenes Include Last Survivors.” This is the text on the opening slate. What have we missed? For now, it’s enough to know we’ve arrived late in the game. This is not the event, but its aftermath. This is post-apocalypse.
The release of Man Alive! in 1952 signaled a change in American anti-cancer campaigns. Since their emergence in the early twentieth century, such campaigns had focused most attention on recruiting women into programs of early detection and treatment.
Reconnaissance for Yellow Fever in the Nuba Mountains, Southern Sudan, 1954 is one of the several dozen films that Dr. Telford H. Work created during his distinguished career in arbovirus (“arthropod-borne virus”) field research.