A scanned frame of film, with sprocket holes, shows a soldier in a helmet looking at an American flag.
All Educational & Instructional Animation Color Black & White Sound

The Public Health Film Goes to War

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By Michael Sappol, PhD

Public health and war have long been close companions. In the first terrible round of “modern wars”—the American Civil War, the Franco-Prussian War and World War I—military officials and civilian leaders called on health professionals and volunteers to help mobilize and protect military forces and civilian populations. Health experts in turn viewed these conflicts as a sort of laboratory to test and implement their theories, and an opportunity to use fresh knowledge and nascent technologies. They boarded the bandwagon to advance their professional, scientific, political, and ideological goals—and film was a medium with which to do so.

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A man in a plaid cap sets up a movie camera on a tripod in a meadow by a shelter of branches and canvas.
Research & Documentation Color Silent

The Films of Virologist Telford Work

By Dwight Swanson

The National Library of Medicine is home to 83 films created by virologist Telford H. Work documenting his life’s work and travels. The films supplement Work’s manuscript collection, which covers his education, career, hobbies, and achievements. Captured between 1942 and 1988, the films were primarily shot on 16mm film, with video copies made later.

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Brown smoke comes out of tall pipes from an industrial area behind a brick building in a grassy landscape.
Educational & Instructional Animation Color Black & White Sound

Darkening Day: Air Pollution Films and Environmental Awareness, 1960–1972

By Jennifer Lynn Peterson, PhD

The 1960s represent a turning point in popular awareness about environmental problems. The modern environmental movement that emerged in the mid-1960s and early ‘70s focused on a new set of concerns such as air pollution, water pollution, and pesticides. More federal environmental bills were signed in the 1960s and early 1970s than at any other period in U.S. history.

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A close up of a woman's face in a surgical mask.
Educational & Instructional Color Black & White Sound

Screening the Nurse: Film, Fear, and Narrative from the 1940s to the 1970s

By David Cantor, PhD

In the early twentieth century, American nursing leaders came to see the motion picture as a quintessentially modern instrument of education, training, and recruitment. In their view, movies were a powerful tool to transform public opinion, to instruct new recruits in the mysteries of nursing practice, and to keep the qualified nurse abreast of new developments in the field.

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