“Fall, 1972. Scenes Include Last Survivors.” This is the text on the opening slate. What have we missed? For now, it’s enough to know we’ve arrived late in the game. This is not the event, but its aftermath. This is post-apocalypse.
It’s 1926. The camera is shaky and the images blurry, but we can see a forested hillside and a crop of buildings. Then more acreage, more structures. Eventually, row upon row of people sunbathing; nurses in white uniforms; fresh milk poured into tin cups; children playing and yes, even boxing.
Leprosy in India [Lepra in India in the original German] is a hard film to watch. In the course of its 12 minutes, it puts before the camera patients who suffer from a variety of symptoms, ranging from mild discoloration of the skin to terrible facial and bodily disfigurement, and loss of fingers and toes.
By Tatjana Buklijas, Birgit Nemec, and Katrin Pilz
Sometime in the last century a fragment of silent film landed at the National Library of Medicine. Like many of the older films in the collection, how it got there is a mystery: no paperwork survives to tell the tale; no other prints of the film appear to have survived; no other sources on its making or showing have turned up.
Among the many old motion pictures shelved in the collection of the National Library of Medicine is a uniquely strange two-reel 16 millimeter film, with an ungainly title: Neural and Humoral Factors in the Regulation of Bodily Functions (Research on Conjoined Twins).
Schizophrenia was a new diagnosis in interwar American medicine. Invented in 1911 by Swiss psychiatrist Eugen Bleuler (1857–1939), the term gradually supplanted “dementia praecox,” which after World War I was associated too closely with German psychiatry.
Reconnaissance for Yellow Fever in the Nuba Mountains, Southern Sudan, 1954 is one of the several dozen films that Dr. Telford H. Work created during his distinguished career in arbovirus (“arthropod-borne virus”) field research.