The Films of Virologist Telford Work

By Dwight Swanson

The National Library of Medicine is home to 83 films created by virologist Telford H. Work documenting his life’s work and travels. The films supplement Work’s manuscript collection, which covers his education, career, hobbies, and achievements. Captured between 1942 and 1988, the films were primarily shot on 16mm film, with video copies made later.

Read More

Challenge: Science Against Cancer or How to Make a Movie in the Mid-Twentieth Century

By David Cantor, PhD Instituto de Desarrollo Económico y Social (IDES), Buenos Aires

In 1949 the U.S. National Cancer Institute (NCI) and the Canadian Department of National Health and Welfare (DNHW) commissioned a cancer educational film, eventually called Challenge: Science Against Cancer. It was to be one of the first of a new form of film. The urgent task was to induce young scientists to think of cancer research and biomedicine as careers, and Challenge was to be a key part of the response.

Read More

Shared Suffering Onscreen: Animal Experiments and Emotional Investment in the Films of O. H. Mowrer

By Benjamín Schultz-Figueroa, PhD, Assistant Professor in Film Studies, Seattle University

The history of animal testing and the history of the life sciences go hand in hand. Donna Haraway describes the emotional and ethical complexities with this work as the “shared suffering” of the lab. This argument is premised on the recognition of animal agency in the lab, a space where animals, apparatuses, and scientists are all responding and responsible to each other, though in very different ways.

Read More

Can Leprosy Be Cured?

By Magnus Vollset, PhD and Michael Sappol, PhD

Leprosy in India [Lepra in India in the original German] is a hard film to watch. In the course of its 12 minutes, it puts before the camera patients who suffer from a variety of symptoms, ranging from mild discoloration of the skin to terrible facial and bodily disfigurement, and loss of fingers and toes.

Read More

Erdheim’s Autopsy: Dissection, Motion Pictures, and the Politics of Health in “Red Vienna”

By Tatjana Buklijas, Birgit Nemec, and Katrin Pilz

Sometime in the last century a fragment of silent film landed at the National Library of Medicine. Like many of the older films in the collection, how it got there is a mystery: no paperwork survives to tell the tale; no other prints of the film appear to have survived; no other sources on its making or showing have turned up.

Read More