By Anja Laukötter
A darkly-lit parade of twisted, deformed people slowly, painfully, marches back and forth over a map of England, as the movie soundtrack sounds anxious notes of alarm.
By Anja Laukötter
A darkly-lit parade of twisted, deformed people slowly, painfully, marches back and forth over a map of England, as the movie soundtrack sounds anxious notes of alarm.
By Nikolai Krementsov, PhD
Among the many old motion pictures shelved in the collection of the National Library of Medicine is a uniquely strange two-reel 16 millimeter film, with an ungainly title: Neural and Humoral Factors in the Regulation of Bodily Functions (Research on Conjoined Twins).
By Miriam Posner, PhD
As a historian of medicine’s visual culture, I’ve seen some weird films. But The Blood Vessels and Their Functions (1924–1925) still took me aback.
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By Michael Rhode and Michael Sappol, PhD
Inspired by the U.S. Army’s popular “Private Snafu” animated cartoon series, late in World War II the Navy hired Hugh Harman (1908–82) to do a similar series, focused on health.
By Michael Sappol, PhD
A dentist invites a young boy: “Come with me, into the visual instruction room.” And with this, Ask Your Dentist, a silent dental film from around 1930, stages a cinematic revue of instructional techniques and tactics.
By Mark S. Micale
Schizophrenia was a new diagnosis in interwar American medicine. Invented in 1911 by Swiss psychiatrist Eugen Bleuler (1857–1939), the term gradually supplanted “dementia praecox,” which after World War I was associated too closely with German psychiatry.
By Zoe Beloff
A tiny, black-robed woman scurries down a deserted street and ducks into an alley overgrown with ivy.
By David Cantor, PhD
The release of Man Alive! in 1952 signaled a change in American anti-cancer campaigns. Since their emergence in the early twentieth century, such campaigns had focused most attention on recruiting women into programs of early detection and treatment.
By Mikita Brottman
Made shortly after the end of World War 2, this curious little nightmare movie addresses black soldiers. It depicts them as overgrown, impulsive, hypersexualized children who are not able to contain their primordial desires.
By Kathy High and Michael Sappol, PhD
It’s 1950 and a fine upstanding teenager named Rodney is stricken with the deadly tuberculosis bacterium (Mycobacterium tuberculosis).
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